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GREGORY FELDMANN baritone
“Gregory Feldmann displayed an heroic baritone, with virile top notes in his superb Hamlet, from his extrovert drinking song – where he drowns himself in a cocktail of drink and drugs – to his interior monologue, “Être ou ne pas être” (Thomas’ take on “To be or not to be”)”--Bachtrack
"Baritone Gregory Feldmann was a single-minded, passionate Demetrius...He possesses a secure, firm voice with a pleasing lyricism and expressivity that he used intelligently to fashion his character. His outbursts of anger could be deliberately quite amusing"-- OperaWire
"Feldmann, a relatively recent Juilliard graduate, showed his Lieder-singing chops in the Viennese fare, his tone robust, his diction crisp...he shifted effortlessly into Broadway belting in 'Love Song' from Weill's Love Life"---The New Yorker
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